The Lonely Palette Podcast Tamar Avishai, the MFA’s podcaster-in-residence and host of The Lonely Palette , has teamed up with the Museum to release episodes on artworks in our collections. The evening was divided into two parts: a conversation between Ekua and Tamar, which included audio produced around Ekua's collage, "All Fly Home," and an exploration of interpretation and storytelling - as applicable to art as it is to podcasting. So relax into your PJs, put your feet up, and let's #MuseumFromHome together. Episode 32: René Magritte's The Son of Man (1964) ... ©2020 The Lonely Palette. Special thanks to Kerri Hoffman and PRX, Alex Braunstein and the PRX Podcast Garage, Gina James, and WGBH. Yet Maduna returned to the neighborhoods of his childhood to create pieces that remind us of the African heritage that many in the community share. 31 - Hiroshi Sugimoto's "Byrd Theater, Richmond, 1993" (1993). The Blue Dot Sessions, “Cradle Rock,” “Sylvestor,” “A Little Powder,” “Our Only Lark,” “Town Market,” “Contrarian,” “The Rampart” So relax into your PJs, put your feet up, and let's #MuseumFromHome together. Welcome to The Lonely Palette, the podcast that returns art history to the masses, one painting at a time. You're not a Stitcher Premium subscriber yet. Welcome to The Lonely Palette, the podcast that returns art history to the masses, one painting at a time. Click below to download our app for better listening experience. Bonus and ad-free content available with Stitcher Premium. Ekua Holmes is a painter and collage artist who uses news clippings, photographs, vibrant color, and skillful composition to infuse her work with energy. Episode 39: Rembrandt van Rijn’s Portrait of Aeltje Uylenburgh (1632) Tamar Avishai June 07, 2019 17th Century Art, Dutch Golden, Baroque ©2020 The Lonely Palette… So leave it to Japanese photographer Hiroshi Sugimoto to do it so effectively by taking us to the Golden Age of Cinema. Maduna began his exploration of African culture with a study of African religions which led him to further examine and interpret the traditional embodiment of belief and myth. 39 - Rembrandt van Rijn's "Portrait of Aeltje Uylenburgh" (1632), The Lonely Palette is currently the podcast-in-residence at the Museum of Fine Arts, Boston, and we're partnering up to bring the museum to you during its closure due to Covid-19 by spotlighting both the rock star and the lesser-known objects from the museum's permanent collection. Each episode, host Tamar Avishai picks a painting du jour, interviews unsuspecting museum visitors in front of it, and then dives deeply into the object, the movement, the social context, and anything and everything else that will make it as neat to you as it is to her. 47 - George Seurat's "A Sunday Afternoon on La Grande Jatte" (1884-86), Grab a parasol, put your monkey on a leash, and come spend Sunday in the Park with George, exploring how a canvas this monumental and as frozen as Dippin' Dots can help us better understand the world in his day, in Cameron Frye's, and in our own. Tamar Avishai October 26, 2019. See the images: http://www.thelonelypalette.com/episodes/2018/7/5/episode-31-hiroshi-sugimotos-byrd-theater-richmond-1993-1993 Music used: The Andrews Sisters, "Bei Mir Bist Du Schoen" The Blue Dot Sessions, "Cash Cow", "Aourourou", "A Little Powder", "Delicious", "Astrisx", "Bliste" Joe Dassin, ... Re-ReleaseEp. And as promised, The Lonely Palette is live on Patreon! This episode was produced with support from the San Francisco Museum of Modern Art. ‎Welcome to The Lonely Palette, the podcast that returns art history to the masses, one painting at a time. Bummer! www.patreon.com/lonelypalette, Ep. Tamar Avishai November 14, 2018 Fauvism, Modernism, Post-Impressionism, 19th Century Art, 20th Century Art. Their sculptures, masks, and collage-based works are an exploration of ancestral voices, family histories, and the power of hope, faith and self-determination. Welcome to The Lonely Palette, the podcast that returns art history to the masses, one painting at a time. Somewhere between the life of the mind and the boots on the ground sits Pop artist Claes Oldenburg, who wants us to see that both of those worlds are one and the same, and that there's value, and even beauty, to our joy-sparking stuff (and maybe we can finally let ourselves admit it.)

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