Click to email this to a friend (Opens in new window), Click to share on Facebook (Opens in new window), Click to share on Pinterest (Opens in new window), Click to share on Twitter (Opens in new window), Click to share on Reddit (Opens in new window), Click to share on Tumblr (Opens in new window), https://www.youtube.com/watch?v=AJwa9mX0bxA, JASON BOURNE – John Powell and David Buckley, LEAGUE OF GODS [FANG SHEN BANG] – John Debney, DAVID ATTENBOROUGH: A LIFE ON OUR PLANET – Steven Price, NICHOLAS AND ALEXANDRA – Richard Rodney Bennett, WELCOME HOME ROXY CARMICHAEL – Thomas Newman, Main Title/The School/Parris and Cassie/Grandmother/Cassie’s Party/Louise’s Party and Drake/Icehouse (10:19), Operation/Farewell – Parris Returns/Parris Goes to Dr. Tower (4:57), Winter/Grandmother’s Last Will/Parris, Cassie, Drake and Louise/Dr. Orchestrations by Hugo Friedhofer, Ray Heindorf, Bernhaud Kaun and Milan Roder. At 3:59 we segue into “Parris Goes to Dr. Tower” as we follow Parris walking to Dr. Tower’s house where he will prep for medical school in Vienna. As he ascends the stairs trepidation enters and the melodic flow dissolves at 7:13 as Mr. Tower stops his progress and asks him to leave. Score produced by Erich Wolfgang Korngold and Leo F. Forbstein. Both the town and his grandmother are deeply important to Parris, and Korngold making them melodically kindred, is genius. 2 Strangely, neither of these excellent Korngold efforts were even nominated for an Oscar for Best Score. For those of you unfamiliar with the score, I have embedded a YouTube link to the rousing and now iconic Main Title, which is included in a suite performed under the baton of Charles Gerhardt and the National Philharmonic Orchestra: https://www.youtube.com/watch?v=AJwa9mX0bxA, Buy the Kings Row soundtrack from the Movie Music UK Store, Film Score Monthly FSMCD-10-15 (1942/2007). At 3:15 we are graced with a sumptuous string laden rendering of Randy’ Theme replete with solo violin solos as she joins them and we see in her eyes a blossoming love for Drake. KING'S ROW is my favorite Erich Wolfgang Korngold score. We close with repeating aggressive dire horns declarations of Drake’s Theme with contrapuntal strings as the newspaper reports that a bank employee has absconded to Mexica with several stolen trust funds. When Louise refuses his offer, he departs in “Drake’s Exit” carried by an angry rendering of his theme. “Main Title” opens with trilling woodwinds and shimmering strings, which support the display of Warner Brother’s studio logo. We close with religioso auras as Randy closes the door and thanks the Virgin Mary as the two men are again united. Parris’ Theme supports our hero and offers a warm, masculine construct born of warm strings and French horns nobile, which speaks to his idealism and essential goodness. Yes, I'm appreciative of the effort and it's always great to have the original performance, but if I want to hear the beauty of this score there is but one choice - the Varese Sarabande release conducted by Gerhardt and produced by George Korngold. Yes, the music is pure and prime Korngold. An exuberant rendering of his theme supports their playful ride in the countryside. Wood dialed out 0:00 – 0:27 of the cue, preferring to open with the happiness of Randy’s Theme as she rushes to greet and embrace him. At 8:15 we flow into “Cassie” who comes to see Parris, begging him to take her away. But this is essential for Korngold lovers. So it must be a great soundtrack which is complete available on this release. Korngold draws from his Austrian roots to provide a Strauss like waltz as Parris writes Drake a New Year’s Day letter. Lastly, we have Elise’s Theme, which offers a sumptuous, graceful string born romance, infused with Viennese sensibilities. Fill in your details below or click an icon to log in: You are commenting using your WordPress.com account. Lastly, Randy’s Theme, provides the score’s most beautiful feminine construct born exquisitely by sumptuous violins romantico, woodwinds gentile and harp adornment. Tod’s Theme serves as his identity as Randy’s father and is kindred to the Main Theme in its articulation. 13 songs. t Hof - La Cour 83790 Fourons / Voeren (Belgium)VAT : BE 0710.836.784, Louis Martinus +32(0)4.381.23.28 info [at] hafabramusic.com. There's a problem loading this menu right now. In “Vienna” Parris departs the professor’s office carried by a joyous rendering of his theme, whose articulation changes dramatically to exude sympathy and compassion as he opens and reads the letter. Music composed and conducted by Erich Wolfgang Korngold. Wood brought in a stellar cast which included; Ann Sheridan as Randy Monaghan, Robert Cummings as Parris Mitchell, Ronald Reagan as Drake McHugh, Betty Field as Cassandra Tower, Charles Coburn as Dr. Henry Gordon, Claude Rains as Dr. Alexander Tower, Judith Anderson as Mrs. Harriet Gordon and Maria Ouspenskaya as Madame von Ein. The entrance of “Dr. Kings Row is a 1942 film starring Ann Sheridan, Robert Cummings, and Ronald Reagan that tells a story of young people growing up in a small American town at the turn of the twentieth century. We conclude at 8:35 with “End Cast” that features a rousing rendering of the Main Theme, which concludes grandly with a flourish! Change ), You are commenting using your Facebook account. Gordon/Drake’s Exit (6:02), Seduction/Drake’s Home/Dreaming Voices (3:52), Grandma and Anna/Orchard – Dr. Tower (5:09), Poco Agitato (Cancer)/Love Scene/Grandmother Dies/Sunset/Parris Packing/Cassie/All Is Quiet/Next Morning (11:39), Farewell – Randy/Flirt/Vienna – Happy New Year/Randy and Drake/Louise (7:45), Drake Is Mad/Bank/Sale – Newspaper/Randy’s Father/Railroad Station (6:54), Randy/Accident/Poco Adagio (Amputation)/Dr. The reunion is very moving and as Parris hugs Drake we are bathed with the warm and comforting auras of Parris’s Theme, which elevates this scene to the sublime, a perfect synergy of music and acting. Korngold supports his progress with a stormy orchestral torrent.
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