Twitter: @indiefilmhustle Natasha has a radical intensity – review, W Eugene Smith film Minamata pulls in contradictory directions, The Call of the Wild is a call back to the thrills of the unknown. Firecrackers is a Blazing Indictment of Toxic Masculinity. I would say I average over 300 films a year to review and I do try to watch some for my own enjoyment as well. film review Mahdis Marzooghian September 23, 2019 film review, documentary film review, indie film review FilmQuest Review: Villains (2018) Villains is a dark comedic thriller that, while not particularly innovative, keeps the audience engaged with excellent performances. Tell me what festivals you’ve played. Tenet Movie Review: Critics Rating: 4.0 stars, click to give your rating/review,The film’s screenplay keeps underlining and explaining its layered plot about technology that can re Eric Roberts is in it too! 2. Review Policy: See review policy. IndieWire is an online publication covering film, TV, and digital news, reviews, and interviews for passionate fans and industry insiders. If you want stability and that weekly check, don’t do what I do! I said so in the review itself (again give me something to talk about!). Change ), You are commenting using your Twitter account. ( Log Out / Here’s what’s going on in Park City, Utah, this year, as 2020’s kickoff film festival brings together virtual reality experiments, independent cinema from around the world, and first-look sneak peeks from Netflix, Amazon Studios, HBO, and other distribution services. Please also read our Privacy Notice and Terms of Use, which became effective December 20, 2019. Search hashtags. Borat Subsequent Moviefilm is a jaw-dropping exposé, The Secret Garden is a socially conscious if overstimulated adaptation, Armie Hammer and Lily James are like two planks of wood in Rebecca, Anne Hathaway is exquisitely watchable in The Witches, Kate Winslet is ferocious in Ammonite, a lesbian period romance, The Trial of the Chicago 7 reduces injustice to witty repartees, Time shows that the penal system stretches far beyond the prison gates, With beauty, humour, and heart, Soul is Pixar at its very best, Despite Adam Sandler’s promises, Hubie Halloween isn’t the total worst, Saint Maud is an exquisite slice of religious horror, The deeply empathetic Kajillionaire is Miranda July’s best yet, The Forty-Year-Old Version creates a space for black female voices, On the Rocks is the spiritual successor to Lost in Translation, Eternal Beauty is a more nuanced take on mental illness, Boys in the Band is a glossy take on a radical piece of gay theatre, A beautifully messy biopic about Gloria Steinem, A Life on Our Planet is powerful, moving - and at times, terrifying, Tesla is a gleefully anachronistic biopic of a scientific genius, Miss Juneteenth is a tender-hearted portrait of motherhood, Millie Bobby Brown’s Enola Holmes will inspire the next generation, Rocks is the most authentic film about British teens in years, The Devil All the Time is a muddled, eerie slice of mid-western Gothic, Bill & Ted Face the Music is gloriously uncool, unmodern and uncynical, The Roads Not Taken is rich with intimacy, if not answers, The Painted Bird is shockingly grotesque, but lacks cause or direction, Waiting for the Barbarians is a sand-swept allegory too vague to land, Despite its notoriety, The New Mutants is destined to be forgotten, Gorgeous and thrilling, Mulan is the best of the Disney remakes so far, I’m Thinking of Ending Things is one of Charlie Kaufman’s best films, Annette Bening anchors Hope Gap, a tale of divorce by the seaside, She Dies Tomorrow’s virus-themed horror feels eerily relevant, Disney tearjerker The One and Only Ivan finds nuance in CGI animals, Tenet is Nolan’s most confusing film, but thrilling to get lost in, Chemical Hearts gets wrapped up in its self-involved hero, Yes, God, Yes is a sweetly candid ode to the sexually naive, Pinocchio is a beautiful, nightmarish vision destined to traumatise, Project Power struggles to make sense of its superhero premise, Two Seth Rogens star in the introspective comedy An American Pickle, Young Ahmed goes beyond the headlines of Islamist radicalisation, Russell Crowe is monstrously good in road-rage thriller Unhinged, Second World War drama Summerland is too afraid of uncertainty, Eva Green’s astronaut drama Proxima is a poignant tribute to mothers, How To Build a Girl never quite matches up to the talents of its star, The Kissing Booth 2 isn’t as problematic as its predecessor, at least, Death penalty drama Clemency is a stirring piece of art, Saint Frances is an honest look at women’s most intimate experiences, With Greyhound, Tom Hanks shockingly fails to charm, Ben Affleck lifts up uneven addiction drama Finding the Way Back, SCOOB!
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