Blue Velvet belongs to a sub-genre of films known as neo-noir that also challenges and deconstructs the noir genre in a way that is designed to reflect the time it was made in. The appearance of the mask is designed to be bug-like, relating to the previous imagery of bugs in the film, and their representation of evil. However, after Jeffery arrives at Dorothy’s apartment to snoop around, the film’s tone shifts dramatically, becoming the pitch black and disturbing film David Lynch is known for. This leads to violent encounters between the two, and to the famous ‘Love Letter’ speech. The song also playing in the scene, ‘In Dreams’ by Roy Orbison, is also about a lost love, which could also contribute to the film’s heavy implication of jealousy on Frank’s part. Then came what looked like either a big break or a detour when the very commercial producer Dino De Laurentiis hired Lynch to write and direct a version of fantasy/sci-fi author Frank Herbert’s classic novel “Dune”, which had defied filmmakers for a few decades at that point. Color symbolism during the Renaissance and Medieval periods has much in common with color symbolism today. The color of compromise and control. Its friendly, playful spirit calms and nurtures us, bringing joy and warmth into our lives. Blue Velvet is also very much a surrealist film, which often deals in juxtapositions and shocking imagery that is found in the film, sharing this field with other surrealist films like Salvador Dali and Luis Bunuel’s Un Chien Andalou, Alejandro Jodorowsky’s The Holy Mountain, and more recently, Yorgos Lanthimos’ Dogtooth. For example, the most obvious update is the shift from black and white to full color, something never seen in classic noir, whether due to the time period or due to a stylistic choice, while also keeping the usually low-key lighting found in a lot of film noir. The color of enthusiasm and emotion. Images, colors and symbolism. – their firehouse dalmatian (surely named Smokey or Sparky) on the running board, all to the tune of singer Bobby Vinton’s schmaltz classic ‘Blue Velvet’ on the soundtrack. In keeping with the films surrealist and neo-noir underpinnings, it is obvious that Blue Velvet would delve into strange and shocking imagery, whether in terms of graphic violence or sexual depravity, that also provided clues for the audience to better understand the movie. A Lynch film will typically embody the qualities that will be discussed at greater length in this article’s later entries, and though he’s surely had his imitators, there is no mistaking frames from a Lynch film from those of anyone else. It dislikes confrontation and too much attention, but it is an honest, reliable and responsible color and you can always count on its support. To dream distinctively of this color means that you are being chastened by God for it is said that the blueness of the wound cleanses the evil away.

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